Macrosystem Bogart SE Ver.4 User manual Uživatelský manuál stáhnout pdf (Strana 17)

Bogart SE 4 User manual

tone found in the middle of the original monochrome gradient.

The result is a gradient from Color 1 to Color 2 and from there,

to Color 3.

Tint: This mode is only provided for color masks . If you select

this function, the “Color 1” button is activated, which you

should then click. Specify a color and conﬁrm with “OK”. All

the colors of the mask are then replaced by the one you se-

lected. The entire picture is then ﬁlled with one shade of color,

though the saturation and brightness are retained.

Hue: This option is likewise only provided for color masks.

If you click on this button, the system ﬁrst of all determines

which is the dominant color in the mask and then displays it as

“Color 1”. You cannot select this button. Now click on “Color

2” and use the upper palette arrow to select any color shade

that you want to replace the dominant color with. All the colors

in this mask are thus replaced with a new one, whereby the

distance in the color palette between the original and replace-

ment color is equal to the distance between the dominant

color and Color 2.

Hue 2: This option functions in a similar way to “Hue”, and

is therefore only displayed for colored masks. Though in this

case you can freely select the color that is to be replaced by

capturing it from the image (see Color box). You can custom-

ize the settings for your mask still further by using the “Bright-

ness”, “Contrast” and “Color” buttons that are located in the

bottom area of the window.

For simple, soft gradients, it is recommended that you use

the “Linear H” (horizontal gradient), “Linear V” (vertical gradi-

ent) and “Linear D” (diagonal gradient). The direction of the

color shift can be altered using the “Mode” button. The little

box next to the “Colorize” button can be used to activate or

deactivate the colorization of the pattern displayed in the up-

per preview window. If a dash appears in the little box, you can

see the original color. If a check mark is shown, you can see

the pattern with the colorization that you set. You do not have

to activate the check mark in order to colorize a pattern. All

you need do is click on the “Colorize” button.

With “Mode” you can choose from eight different positive and

negative inverses. To select a color, you can access the color

box directly using the little color box in the bottom left corner

of the right-hand image pool area (on the left next to “OK”). If,

for example, you click on the “Color/Pattern” button when se-

lecting a border for the titles, you will ﬁrst of all see the image

pool in which you can either select (using the button described

here) a mask or a color as desired. The pattern chosen, with its

chosen settings (e.g. direction, color), can be saved and used

again at a later stage. For this purpose, use the “Archives”

button.

The pattern archive makes a distinction between patterns (Edit

menu “New”, “Pattern”, such as patterns for fonts and back-

grounds in the titler) and effects (alpha masks for pattern fades

or the add-on program Ultimate Spice Box). Patterns that have

been stored in one of both archives cannot be accessed from

the other. Included, you‘ll ﬁnd a number of pre-set examples

(“Granite dark”, “Wood”,…) in the archive.

3.3 The Pro Pack software / available functions

On some Bogart SE systems, optional software functions may

already be available or may differ slightly from the function

described in this text. On some system variants, the software

functions must be purchased separately. The following func-

tions are available if the Pro Pack software has been installed

or if it is part of the included software:

• Up to 30 projects

• Scene function (`Scene´ button in the transition, image pro-

cessing and titling effect menus)

• Sample function (button “Sample” in the Audio Mix menu)

• Extended titling (`Line´ button)

• Single frame preview (`Single frame´ button in the transition,

image processing and titling effect menus)

• Option for switching 4:3 format to 16:9 mode to be able to

use the anamorph 16:9 recording mode off some camcord-

ers (`Format´ button in the record screen)

• Setting record time for loading footage into the system and

create stills during a recording (`Mode´ button in the record

screen)

• Graphical display of sound envelope to help with editing mu-

sic or original sounds (audio-scrubbing with envelope display

found in the Split, Trim or Insert screens)

• Selection of 6 audio tracks

• Copying video scenes or samples into other projects (`Clip-

board´ button in the `Special´ screen)

• Splitting a scene according to rhythm (`Index´ button in the

`Split´ screen)

• Transition ZI Page Turn

1 2 ... 12 13 14 15 16 17 18 19 20 21 22 ... 111 112

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